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_ ________» - _________ _______________ ____. ______ ___ __ ____ _____ _ ______, _____ _____ __ ___, _____ ___ __________ _ ____ __ ______.
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(______, ______ ________ _____________ _____________ __________ _____ _______). «_____» (______ _ 19541955 __.) _ «_ - ____» (1959).
______ ____ _________
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_ 1965 _. ___ ______ _______ ________ _______ _________ ____________ ______ _ ____ _______ _____ ________ ________ _____________, ____________ _
_______42. ___ __________ _______ ("_ - ______, "______, "__________, "___________, "________ _ ______) _ _______ __________ _ ___________ ______,
______ __ _______ _____ __ __________ _____________ ________ _______ ("_____ __ ________, "___ _____, "___________ __ _____ _ ______). ______ _
_______ __ ______ ____ __________ ________ _ ___ ______ ______________ __________ __ ___________ ______ _ _____ _____, __ ____ ____, ______ ________ _
_______.
___________ _ _____ _________ ___________ ____ ___ __________________ «____________», _ _______ __ _______ ____ ____ ____: Just Film (_________
________ _ ___________ ____), Animated Dreams (_____________ _________ ________) _ Sleepwalkers (_____________ _________ _________________ _
_____________ ____). ______, _ _______ __ ______ ___________ ______ ______ ______ (Peter Anton Zoettl), __________, ___ _________
______-_________________ ________ «_____ _____ _ ______ ____________ _ ____________ __________ _____-____ ______ ______ (___ ____)» _ _ ________
_________ __-__ «_____________ ________ ____________ ________ ____________ ___ ____________ ____________» (Zoettl 2012: 5), ___ ____ _________
__________ _______ _____ _______ _________ ________________ ___ _____ ___________, ___________ _ _____________ ________. _________ ___________
______________ _________ __________ _________ _______ _ ___, ___ ______________ _____ __ _____ ____ _____ __ ______ ____.
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_ _______ ______ _ _____________ _________, _______ __________ _ _________ 2-_ ______ __ 10-_ _____________ _____________ _ _____, _ _____ _
___________ _____ «__ ____________ _____, ________ _ _______ _________». _ ____________ __ _____ ______ _ _______ __________ ____________ __ __ ______
__________, _______ _________ (Michael Propper), _______ ____ _____ _ _____ _______________ ____ (observational filmmaking), _______ _____________ _
________. _____ ______ __________ _ ___, ___ ________________ ____ ____________ _ ____________ ___________ _ _________ ______, _____ ______ ______
___________ _____.
47 ______ _._. _________ ____ 70-_ - ______ ________ 80-_ _____. _ __ __ _____ _________ ______ __________ __________ _______ _________ ________
_______ ______. _____ __ ____ _________ _ ____ ______ __ _________ ___ _________ ____, __ __________ - ___ _____ ________ (_ _____ _ ______ _______
______, ______________ ___ _ _____ _____ "__________________" ________) - _____ ______ ____________ _______ _______.
